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1971 « Court tunes and traditional history in the ancient kingdoms of Porto-Novo and チャイナモール (Www.Buyerjp.Com) Abomey ». In: taobao K.P. Wachsmann (ed.), ゴスロリ通販 ( Essays on Music and History in Africa : 27-64. Evanston, anime cosplays girls Northwestern University Press. 1964 Music from West Africa (Guinée, Dahomey, Nigeria. 1949 Music of Equatorial Africa. Cf. infra 1949 NB. 1949 Moyen-Congo (17 ethnies différentes dont 2 sous-groupes Pygmées Babinga) et Gabon (6 ethnies différentes).

1957 Notes sur la musique des Bochiman comparéelectronic à celle des Pygmées Babinga. Accompagné d’une brochure de 20 pages intitulée Notes sur la musique des Bochiman comparéelectronic à celle des Pygmées Babinga, チャイナマート textes d’Yvette Grimaud et G. Rouget, notations musicales d’Y. 1993 “Afrique: mort et résurrection symbolique᾿Présentation de trois textes de A. Serpos Tidjani, P. Verger et G. Rouget. Enregistré en collaboration avec Pierre Verger.

En collaboration avec Jean Rouch (caméra) et Germaine Dieterlen (1964), et pour le montage avec Philippe Luzuy. 1969 “Sur les xylophones équiheptaphoniques des Malinké᾿(en collaboration avec Jean Schwarz). 1982 “Notes sur l’accord des sanza d’Ebézagui᾿(mesures de Jean Schwarz). 1954 “Notes d’ethnographie musicale᾿ 1954 “Enregistrement sonore et sciences humaines᾿ L’Onde électrique n° 324: 229-230. Paris. Grand Prix du disque 1954 de l’Académie du disque français et de l’Académie Charles Cros.

L’Homme. Revue française d’anthropologie I-3: 32-46 (avec disque 17/33, cf.infra Disques). 1999 Notice pour le disque CD Guinée. 1999 «Le disque, mémoire musicale du monde». 2004 «Le Département d’ethnomusicologie du Musée de l‘Homme. Microsillon 30/33. Paris, Département d’ethnomusicologie du Muséelectronic de l’Homme LD 2 (n’a été diffusé qu’en 1965, cf. Microsillon 30/33.

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